MOUNTAIN, TREE, CLOUD AND TIGER ver.0

©Swan Park 산, 나무, 구름과 호랑이 ver.0 임지애는 한국 춤이 지역적, 문화적 경계를 넘어 어떻게 정착되어 갔는가에 주목합니다. 독일에 거주 중인 작가는 베를린의 한인무용단 ‘가야무용단’의 활동을 가까이에서 함께하며 이주와 전통에 대해 고민해왔습니다. 이번 <산, 나무, 구름과 호랑이 ver.0>에서 작가는 가야무용단의

MOUNTAIN, TREE, CLOUD AND TIGER ver.0

©Swan Park 산, 나무, 구름과 호랑이 ver.0 임지애는 한국 춤이 지역적, 문화적 경계를 넘어 어떻게 정착되어 갔는가에 주목합니다. 독일에 거주 중인 작가는 베를린의 한인무용단 ‘가야무용단’의 활동을 가까이에서 함께하며 이주와 전통에 대해 고민해왔습니다. 이번 <산, 나무, 구름과 호랑이 ver.0>에서 작가는 가야무용단의

Migration: Speaking Nearby

Migration: Speaking Nearby Asia Culture Center (ACC) A project by the Goethe-Institut in collaboration with the Asia Culture Center and Asia Culture Institute November 23, 2019–February 23, 2020 Migration: Speaking Nearby, an exhibition organized in collaboration by the Asia Culture

Migration: Speaking Nearby

Migration: Speaking Nearby Asia Culture Center (ACC) A project by the Goethe-Institut in collaboration with the Asia Culture Center and Asia Culture Institute November 23, 2019–February 23, 2020 Migration: Speaking Nearby, an exhibition organized in collaboration by the Asia Culture

MOUNTAIN, TREE, CLOUD AND TIGER

  MOUNTAIN, TREE, CLOUD AND TIGER 2019 OCTOBER 03 04 05 06 | 19.30  HOCHZEITSSAAL Inspired by everyday practice in transmigrant societies, the choreography searches for a universal body language. Inspired by Korean migrants of the 1960s and 1970s, Jee-Ae

MOUNTAIN, TREE, CLOUD AND TIGER

  MOUNTAIN, TREE, CLOUD AND TIGER 2019 OCTOBER 03 04 05 06 | 19.30  HOCHZEITSSAAL Inspired by everyday practice in transmigrant societies, the choreography searches for a universal body language. Inspired by Korean migrants of the 1960s and 1970s, Jee-Ae

YOUR EAST, MY GHOST

  YOUR EAST, MY GHOST  2018 MAY 04 05 | 19.00 KANTINE In this solo, Jee-Ae Lim creates an imagined space where a body turns into blurred figures, a body that is a millimeter off of everything, a monster, a

YOUR EAST, MY GHOST

  YOUR EAST, MY GHOST  2018 MAY 04 05 | 19.00 KANTINE In this solo, Jee-Ae Lim creates an imagined space where a body turns into blurred figures, a body that is a millimeter off of everything, a monster, a

STILL MOVING – Solo version “SODA Works Festival

STILL MOVING – solo version The initial point of STILL MOVING – solo version is about the idea of looking at my body as a moving archive. My body is an individual and independent archive of what it absorbed through

STILL MOVING – Solo version “SODA Works Festival

STILL MOVING – solo version The initial point of STILL MOVING – solo version is about the idea of looking at my body as a moving archive. My body is an individual and independent archive of what it absorbed through

YOUR EAST, MY GHOST

YOUR EAST, MY GHOST In this solo, Jee-Ae Lim creates an imagined space where a body turns into blurred figures, a body that is a millimeter off of everything, a monster, a demonic unicorn, a body looking at you as

YOUR EAST, MY GHOST

YOUR EAST, MY GHOST In this solo, Jee-Ae Lim creates an imagined space where a body turns into blurred figures, a body that is a millimeter off of everything, a monster, a demonic unicorn, a body looking at you as

STILL MOVING (SOLO VERSION) – SEOUL DANCE CENTRE 한국무용사담 – 서울무용센터 

STILL MOVING (SOLO VERSION) – SEOUL DANCE CENTRE 한국무용사 담 – 서울무용센터      

STILL MOVING (SOLO VERSION) – SEOUL DANCE CENTRE 한국무용사담 – 서울무용센터 

STILL MOVING (SOLO VERSION) – SEOUL DANCE CENTRE 한국무용사 담 – 서울무용센터      

GOLDEN AGE – ASIA CULTURE CENTER

  GOLDEN AGE – ASIA CULTURE CENTER  <Golden Age> by Choreographer Lim Jeeae — Son Okju(Performance Scholar) Choreographer Lim Jeeae, who has for years deeply delved into the theme of “tradition and contemporary,” unveils “Golden Age,” a new dance performance created with

GOLDEN AGE – ASIA CULTURE CENTER

  GOLDEN AGE – ASIA CULTURE CENTER  <Golden Age> by Choreographer Lim Jeeae — Son Okju(Performance Scholar) Choreographer Lim Jeeae, who has for years deeply delved into the theme of “tradition and contemporary,” unveils “Golden Age,” a new dance performance created with

TANZKONGRESS 2016

CONTEMPORIENTALISM: CONTESTING THE ORIENTALISM IN CONTEMPORARY CURATION  At the European world fairs in the first half of the 20th century, it was extremely popular to exhibit indigenous dancers as examples of ‘the Other’ and expose them to the gaze of

TANZKONGRESS 2016

CONTEMPORIENTALISM: CONTESTING THE ORIENTALISM IN CONTEMPORARY CURATION  At the European world fairs in the first half of the 20th century, it was extremely popular to exhibit indigenous dancers as examples of ‘the Other’ and expose them to the gaze of